On Friday 21 November, Georgios Varouxakis will present From Plato to NATO: What does 'The West' Mean?
He argues that while 'The West' Â used to be defined by geography â as for a long time location was the determining factor â now, borders have dissolved, and the West also includes countries like Japan and South Korea.
Values such as democracy and respect for the individual are being absorbed into an expanding idea of what the West means, a concept that continues to move eastward.
But are these values really unique to the West? Is democracy or respect for women a Western value?
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The West by Georgios Varouxakis â a journey from Plato to Nato
Todayâs âgloomstersââfrom US Vice-President JD Vance to Elon Muskâwarn of âWestern Civilisationâsâ decline, pushing to revive Western Civ courses. The familiar story of this âWestâ ties it to ancient Greek philosophy, the Hebrew Bible, and a European legacy spanning the Renaissance and Enlightenment. Yet, none of the âgreat mindsâ (Aristotle, Aquinas, Locke) in this lineage saw themselves as part of âthe Westââto them, it was just a geographic term.â
Historian Georgios Varouxakis (Queen Mary University of London) answers when âthe Westâ became a cultural/political concept: it is a 19th-century idea, emerging as a âpotential political entity based on civilisational commonality.â Before then, 17thâ18th century thinkers framed Europe as split between north and south (replacing the old âChristendomâ idea). Post-1815 (Napoleonâs defeat), âthe Westâ gained traction: some Europeans feared Russiaâs rise and questioned its place in Europe, while others looked to the US as a post-colonial ânew future.ââ
Key thinkers shaped its meaning: French philosopher Auguste Comte first systematized âWestern values,â envisioning a âWestern Republicâ uniting humanity without empire. German-born US academic Francis Lieber (1853) coined âWestern Historyâ (apologizing for its âindistinctâ novelty) to link European and American values. Later, WWII interventionists and Cold War thinkers (like journalist Walter Lippmann) tied âthe Westâ to US foreign policyâthough notably, Churchillâs 1946 Iron Curtain speech and the 1947 Truman Doctrine never used the term.â
The termâs trajectory shifted from liberal optimism to gloom. Oswald Spenglerâs 1918 The Decline of the West argued decline was inevitable (centered on Germany/Central Europe). French conservative Henri Massis countered, urging defense of a Mediterranean-focused âWestââinfluencing T.S. Eliotâs interwar cultural anxiety. Today, invocations of âthe Westâ echo this despair, targeting global south immigration and cultural relativism, forgetting its emancipatory roots.â
Varouxakis avoids defining âthe Westâ (noting Nietzscheâs maxim: âOnly that which has no history is definableâ) but leans toward French philosopher Raymond Aronâs view: the Westâs essence is âliberty to criticise.â Yet the term remains ambiguous, tossed between US nationalists clinging to Europe ties and European liberals dependent on US leadership. Only future geopolitics will say if âthe Westâ has run its courseâuntil then, Varouxakisâs book reminds us: our ideas about âancientâ Western heritage are surprisingly modern.
The Zuiderkerk is a 17th-century Protestant church in the Nieuwmarkt area of Amsterdam, the capital of the Netherlands. The church played an important part in the life of Rembrandt and was the subject of a painting by Claude Monet.